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・ Jesse Witten
・ Jesse Wolf Hardin
・ Jesse Wood
・ Jesse Woodhull
・ Jesse Wright
・ Jesse Yarnell
・ Jesse Young
・ Jesse Young (politician)
・ Jesse Zook Mann
・ Jesse Zubot
・ Jesse Saarinen
・ Jesse Sanders (basketball)
・ Jesse Sandoval
・ Jesse Santana
・ Jesse Sapolu
Jesse Saunders
・ Jesse Scanzano
・ Jesse Schell
・ Jesse Schmidt
・ Jesse Schultz
・ Jesse Schwartzman
・ Jesse Scoble
・ Jesse Selengut
・ Jesse Selwyn
・ Jesse Sene-Lefao
・ Jesse Sergent
・ Jesse Shapiro
・ Jesse Shatkin
・ Jesse Shaw
・ Jesse Sheidlower


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Jesse Saunders : ウィキペディア英語版
Jesse Saunders


Jesse Saunders (born March 10, 1962 in Chicago, Illinois) is a DJ, record producer, film producer, remix artist, promoter and entrepreneur. He is one of the pioneers of house music,〔IMO Records. ("Jesse Saunders Biography" ), ''IMO Records'', Retrieved on 24 February 2012.〕 often cited as "the originator of House music" by critics and historians. His 1984 single, "On & On", co-written with Vince Lawrence, was first record with a house DJ as the artist that was pressed and sold to the public. Chicago Mayor Richard M. Daley declared July 17, 1997, as ''Jesse Saunders and the Pioneers of House Music Day'' in Chicago. Since his emergence as a DJ almost three decades ago, Saunders has run several of his own independent labels, and worked extensively in music and film production, as well as artist promotion and management. In recent years, through House music reunions, a pending book release and a live 'disc-jocumentary' - where, while DJing, he visually takes the audience through the history of House and Electro - Saunders has worked towards erasing the misconceptions associated with the genre's origins. He is also a long-time member of the National Academy of Recording Arts and Sciences.
=="The Originator of House Music"==
House music first got its start within the walls of Chicago's Warehouse nightclub, thus attaining its name. As the music moved to the wider community, the sound significantly changed and what developed is House music as it eventually came to be known.
While one of his biggest influences, and another instrumental figure in the development of House, Frankie Knuckles, confined himself to the gay nightclub scene (primarily that of the Warehouse), Saunders took the unique sounds of the Windy City to the masses. Instead of relying solely on disco and R&B like Knuckles, Saunders expanded his musical repertoire and fused it with the turntable trickery that remains a staple to this day. As a DJ he would accentuate desired moments in songs through loops and repetition, focusing on sections that were stripped down to just the drum or bass - a tradition he would carry on as a producer.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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